Survival Tools for the Age of Ultra Anxiety
November 20th, 5:30-7:30: Artist talk with Joseph Morris, Kim Sandra, Wieteke Heldens, Will Kaplan, and Daniel Mantilla – Share on Facebook
La Creación Muda (The Silent Creation)
Residency at The Clemente - Artists Alliance Inc. and Residency Unlimited 2020-2021
Nov 2020 - Feb 2021
Daniel Mantilla’s residency is made possible through Residency Unlimited's ongoing partnership with Artists Alliance Inc.
After being nomadic for the last few months and working in small spaces, the Residency Unlimited /Artists Alliance, Inc. residency will provide Mantilla the opportunity to make paintings, cutouts, and works on paper that he can physically expand and contract by folding and unfolding, or by assembling and disassembling to fit inside cases and transport them with ease. In collaboration with Sprechgesang Institute, he is working on the production of the play Rock Paper Scissors, which will be performed in December 2020 on Zoom.
Artist Presents – Daniel Mantilla
Storage, Trasteo, Coming or Going/Digital Drawing included in the Collaborative Publication CutMeUp Magazine 7
From Cut Me Up Magazine page:
Cut Me Up is a participatory magazine of visual call and response founded by Andrea Burgay
Cut Me Up Issue 6: Object Lessons, curated by Michael Oatman, is a selection of 19 artworks that dimensionally expand upon collage methods to explore assemblage, sculpture and installation.
Reflecting on the history of the found object as Readymade, as well as the importance of personal objects within our pandemic landscape, the artists in this issue have created artworks that serve many functions. There are objects of comfort, remembrance and protection. There are objects of play, several that can be assembled by Cut Me Up readers. Artists explore physical material as possibility, inspiring us to build, and to rebuild. Artists also explore the transformative potential of waste materials, objects we use and dispose of.
As Michael Oatman describes, these artists have “plunged into art history, dreamed of unvisited lands, fabricated pandemic wear, gene-spliced, mailed themselves to friends, invented architectures, hacked the still life genre, baked a pie, conned us, charmed us, calmed and alarmed us.”
Liquitex Cadmium-Free Research Residency at Residency Unlimited - August 1st - September 15th 2017
"Daniel Mantilla is the first artist to be selected for the Liquitex Cadmium-Free Research Residency at RU"
"Liquitex is delighted to announce that Daniel Mantilla and Kristy Hughes have been selected to take up our Cadmium-Free Research Residencies in New York City; these opportunities are being run in partnership with Residency Unlimited (RU). Daniel was invited from a shortlist of artists suggested by RU and will be starting his residency August 1st; Kristy was selected from our Open Call and she will begin her residency on September 18th.
Both artists will be taking part in RU’s studio program for 6 weeks, fully funded and supported by Liquitex. The residency will allow them to work with our newly developed Cadmium-Free paint, as well as other Liquitex materials of their choice.
We would like to thank all those artists who participated in the selection process for these residencies and we look forward to seeing the work from Daniel and Kristy!"
RU/Liquitex Artist Talk: Kristy Hughes and Daniel Mantilla in conversation w/ Thomas Micchelli and Jennifer Samet
Tuesday, October 24, 2017
6:30pm (free and open to the public)
Residency Unlimited (RU)
360 Court Street (enter the Church through the main entrance)
Brooklyn, NY 11231
Kristy Hughes and Daniel Mantilla Vinasco are the 2017 Liquitex Cadmium-Free Research Residency Awardees at Residency Unlimited.
During the upcoming panel discussion at RU Residency, two paintings each by Hughes and Mantilla Vinasco will be on display as examples of the work they were pursuing as residents. Co-panelists Jennifer Samet and Thomas Micchelli will engage the artists in a conversation about their use of materials, their biographical arcs, and what common threads might link their divergent backgrounds, including ideas surrounding cultural identity and cultural crossover. The conversation will also include the painters’ thoughts on the historical precedents of their work, and on the dialogues they continue to have with artists past and present.
Solo Exhibition - Openings to Further Enclosures - Thomas Hunter Project Space
Openings to Further Enclosures
Curated by Joel Carreiro
Exhibition dates April 2 - May 15, 2017
Opening reception Friday, April 7, 6:00 - 8:00pm
The Hunter College Project Space is pleased to present a solo exhibition of drawing/collages by Colombian-born, New York based artist Daniel Mantilla.
Using diverse materials and a wide range of marking methods and depictive styles, Mantilla`s protagonists inherit the staccato energy of his line as restless activity. His cast of characters engage, observe, support, disrupt, love, hate and converse in environments suggestive of domestic spaces, urban settings, gardens and river banks. Spatial uncertainty prevails as attempts are made towards equilibrium using rickety structures and contraptions that also require some assistance. Mantilla remembers handmade scaffolds supporting precarious structures from his childhood in Bogota and Ibague, and discarded materials repurposed to buttress falling walls or patch bridges and houses.
These ad hoc solutions have become metaphors for his character`s efforts at communication and interpersonal relations. All is in flux, identities are unstable, things and events are in transition to uncertain destinations.Though dangers exist, there are no dull moments, and the overall tone of Mantilla`s scenes is one of adventure, resilience and surprise.
It is possible that inventiveness and imagination may, in the end, win the day.
The Third AIM Biennial - The Bronx Museum of the Arts
Bronx Calling: The Third AIM Biennial July 9 to September 20, 2015
Curated by Bronx-based artists Hatuey Ramos-Fermín and Laura Napier, Bronx Calling: The Third AIM Biennial features the work of seventy-two emerging artists engaged in the Artist in the Marketplace (AIM) Program (classes of 2014 and 2015). AIM provides professional development opportunities for emerging artists residing and working in the New York metropolitan area. The exhibition will be accompanied by a fully illustrated catalog.
Kossak Travel Grant 2013